Ambitious painters of the 1830s went to Rome. A few went 35 miles from Paris, to the Forest of Fontainebleau, and stayed.
The village at the edge of the forest gave them their name.
The treesA screen of trees holds the light out. Two notes of red below.River Landscape with a Cow, French School, 1800s
The blossomAll the weight of the paint in the flowering branches.Blossoming Tree and Farmyard, Paul Péraire
The heathRose and violet heather, open all the way to the trees.Heather in Bloom, James Desvarreux-Larpenteur
The Barbizon School was a circle of French landscape painters who, from about 1830 to 1870, painted directly from nature at the edge of the Forest of Fontainebleau.
Where Is Barbizon?
A village on the western edge of the Forest of Fontainebleau, south-east of Paris.
BarbizonThe hamlet where the painters lodged
35 miles by roadFrom Paris, south-east
Forest of FontainebleauOaks, rocks, sand and heath
The SeineBetween Paris and the forest, by Melun
Schematic map, north at the top.
How to Recognise a Barbizon Landscape Painting
Four things to look for.
1A low horizonThe sky takes half the picture or more.Girl with Turkeys, Emile Michel, 1872
2One treeOften an oak, anchoring one side.Haystacks in a Stubble Field, Adolphe-Félix Cals
3Small figures at workThey belong to the land and never take it over.Shepherd and Flock among Haystacks, Gaston Guignard
4Thin paintThe canvas shows through.Heather Path in Bloom, James Desvarreux-Larpenteur
Not Barbizon: no togas, no temples, no allegory.
How to Read a Barbizon Landscape
Look at how little paint it took.
Heather in Bloom, James Desvarreux-Larpenteur, oil on canvas, signed lower right
Detail of the distance.The distanceThinHeather running back to a line of treesThe red roof of a farm among them
Detail of the bank.The bankColour on the grainRose and violet against dark greenThe weave still showing under the colour
Detail of the signature.The nameSignedJ. Desvarreux, in blackLower right, among the heather
Not a cast shadow anywhere. Near heather and far heather differ only in temperature.
Barbizon or Impressionist, Reading the Palette
The colours tell the two apart before the subject does.
Barbizonthe actual color of a French forest, mostly muted
ochre
raw sienna
olive knocked down with brown
green-gray
umber in the shadows
cool gray-blue sky
Impressionistthirty years on, used at full strength
cobalt
pure green
chrome yellow
vermilion
violet in the shadows
Hold the two side by side and the palette shows before anything else does.
The Painters of the Barbizon School
One painter, one subject.
OaksThéodore Rousseau1812-1867
RiversCharles-François Daubigny1817-1878
UndergrowthNarcisse Diaz de la Peña1807-1876
SkiesJules Dupré1811-1889
CattleConstant Troyon1810-1865
SheepCharles Jacque1813-1894
Close to the school, not of it
Silver lightCamille Corot1796-1875
Peasants at workJean-François Millet1814-1875
Buying a Barbizon Landscape Painting
Is it a small panel?Oil on wood, often under fifteen inches, the ground showing. Usually an outdoor study, the object the school was built on.
Is it signed?Usually. The followers signed too. A signature places the canvas, it does not prove the circle.
Circle or follower?The working terms. What a collector meets is the wider school, painted in the same forest.