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Haystacks in French Painting, Before and After Monet
What a Haystack Painting Actually Shows
Two French words for what English calls one thing.
Gaston Bonfils, Haystacks in a Harvest Field · Gaston Guignard, Shepherd and Flock among Haystacks
| Bonfils, detail. Sheaves drying where they were cut.La gerbeThe sheafCereal cut, bound and stood in small hollow cones on the stubble to drySmall and many, set out across the fieldAugust, high sun, short shadows | Guignard, detail. The shepherd gives the scale.La meuleThe stackThe dried sheaves carried to the farm and built into stacks, sometimes as high as a house, until threshingLarge and fewLow autumn light, frequent mist |
Monet titled his series Meules. English collapsed both objects into one word, and museums have been correcting the title ever since.
How to Date a Haystack Painting
The same field, painted in two languages.
| Barbizon · 1840-1870 | Impressionist · 1870-1900 | |
| The stack | Solid and weighty, visible texture | A field of broken color, the form dissolving into light |
| The figures | Almost always there, at work | Increasingly absent, the stacks stand alone |
| The sky | Half the picture or more, carrying the weather | Cut to a band at the top, the stacks pushed forward |
| The foreground | Thin horizontal sweeps, the panel showing through | Heavy impasto, palette-knife ridges |
Most period canvases sit somewhere along these lines, not at either end. A painter working in 1880 had both languages and chose, field by field.
The Great Haystack Painters
Sixty years of stacks, from Millet to Monet.
The figures leave and the light stays. Monet's series is the end of that shift, not its beginning.
Buying a Haystack Painting
Look at the shadow before anything else.
| Painted from lifeThe shadow agreeswith the light on the lit side and with the hour the picture claims. | From memoryIt rarely doesA stack copied from another painting, or remembered, loses the hour. |
The Bonfils and the Guignard above are both signed in the lower left corner.
Works citedJules Bastien-Lepage, Les Foins, 1877. Musée d'Orsay, Paris
Claude Monet, Stacks of Wheat, End of Day, Autumn, 1890-91. Art Institute of Chicago
Claude Monet, Meules, fin de l'été, 1891. Musée d'Orsay, Paris
Claude Monet, Grainstack, Sunset, 1891. Museum of Fine Arts, Boston
Camille Pissarro, Haystacks, Morning, Éragny. Metropolitan Museum of Art, New York











