Herve Le Loup de Sainville (1861-1930)
Esterel Coast at Sunset, 1900sGeorges Berger (1908-1976)
Port of Honfleur, 1900sFrench School, early 20th century
Fishing Boats in a HarborDaniel Jaugey (born 1929)
Boats in a French HarborGuides · before you buy
How to Read Signatures and Inscriptions on Antique PaintingsA signature is a clue, not a verdict.Read the guide
Relined, Restored, Craquelure, Understanding ConditionCraquelure is not damage and relined is not a defect.Read the guideFrench School, 19th century
Fire by the Coast, 1800sPierre Forest (1881-1971)
Sailing Boats, Venice LagoonVictor Philippe Philipsen (1841-1907)
Vesuvius from the Bay of Naples
GalerieClub Fine Art
1,100+
paintings sold since 2017
Our promise
- Every painting photographed front and back
- The frame you see is the frame that ships
- Free tracked UPS Express Saver to the US
Elsewhere in the gallery
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Subject
Antique Animal PaintingsDogs, farmyards and the hunt10 for sale
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Antique Genre Scene PaintingsEveryday life, courtship and the seasons8 for sale
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Antique Landscape PaintingsFields, rivers, forests and heaths17 for sale
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Antique Portrait PaintingsLadies, gentlemen and officers25 for sale
- The questionsHow to Collect Antique Paintings
Marine and seascape paintings for sale at GalerieClub
The sea was painted long before it was a holiday view. For centuries it meant trade, fishing and danger, and painters recorded the ships and harbors a coastal town lived by. The original marine oil paintings in this collection carry that tradition from the 19th century into the 20th.
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A harbor is a crowded subject. Hulls sit side by side at their moorings, masts cross against the sky and the water doubles everything in reflection. A French harbor oil painting sets the working port at the centre, fishing boats between two tides, painted from the quay or from the water.
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The century changed how the sea was painted. A 19th century marine oil painting tends to build its scene carefully, with a low horizon, a wide sky and every sail placed with intent. A 20th century coastal oil painting loosens the brush and lets colour carry the light, thick paint for the sails and the reflections.
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Some painters left the open sea for sheltered water. Sailing boats on a lagoon, a bay under a hazy sky and a coast lit by a fire at night all belong to the quieter side of marine painting, where the light matters more than the weather.
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Many marine painters signed in a lower corner, sometimes with a date. A signed seascape painting can be placed in its painter's career, while an unsigned one is described by school and period, as our guide to reading an attribution explains. Several of these works keep carved gilt frames, and a few come unframed.
















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