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Eliezer offering the gold bracelet to Rebecca at the well, a dozen women with water jars before Roman architecture, oil on canvas after Nicolas Poussin

After Nicolas Poussin, Eliezer and Rebecca at the Well, Oil on Canvas, Late 18th to Early 19th Century, Unframed

After Nicolas Poussin (1594-1665)
Price $4,700 USD
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Eliezer offering the gold bracelet to Rebecca at the well, a dozen women with water jars before Roman architecture, oil on canvas after Nicolas Poussin
The unframed canvas shown to scale on a pale wall in a light room
Detail of Eliezer with both hands open toward Rebecca, who holds the jewel against her breast
Reverse of the unlined canvas on its original keyed stretcher, showing the colourman stamp at the right and a torn paper label at the top
The central group at the well, Eliezer in a white turban offering the ring to Rebecca in blue while the other women draw water
Detail of the Roman city behind the well, a tall palazzo and arcaded walls above the heads of the women, with a green bronze vessel raised against the sky
After Nicolas Poussin, Eliezer and Rebecca at the Well, Oil on Canvas, Late 18th to Early 19th Century, Unframed
The frieze of figures across the foreground, women kneeling and standing with jars as Eliezer presents the gold ring to Rebecca
Upper right of the canvas showing the stone pillar with its sphere against the sky, with losses and abrasion across the clouds and the pillar shaft
Lower left of the canvas, a woman kneeling in yellow and blue filling a jar, with wear along the lower edge and an inscription at the corner
The unframed canvas on a plain grey wall, its stretcher edge visible on all four sides, showing the size and format of the work as sold

Description

Twenty figures and not one of them looks at the viewer. Every head is turned toward the centre or away from it, and the two who matter stand apart, hands raised, in the only gap in the crowd.

Oil on canvas, unlined, 14 1/2 x 19 inches (37 x 48 cm), unframed. Unsigned. French, late eighteenth to early nineteenth century, after Nicolas Poussin.

Eliezer stands at the centre in a turban and a yellow robe, both hands open toward Rebecca, who holds a jewel against her breast. Around them ten women carry water jars, some seated on the ground at the left, others standing in a line at the right beside the well. A colonnade and a stone sphere close the composition on the right, a town in warm stone rises behind on the left, and a range of blue hills runs across the distance. The drapery is worked in flat saturated colour, blue, green, rose and orange, each figure given one dominant note.

A picture copied for a century
The composition is Poussin's, painted in Rome in 1648 and in the French royal collection within a generation. It became a set exercise. Copying it was how a French painter learned to build a group of figures in a landscape, and versions of every size were made from the seventeenth century to the nineteenth, for study, for the trade, and for buyers who wanted the picture and could not have the original.

The canvas has never been relined and sits on its original keyed stretcher. An old restoration at the upper right, losses to the red drapery at the centre and along the upper and lower edges, an overall craquelure and a yellowed varnish. Sold unframed.

Provenance

Private collection, Paris, France

Details

Artist
After Nicolas Poussin (1594-1665)
Period
Late 18th to early 19th century
Origin
France
Style
Neoclassical
Medium
Oil on canvas
Signature
Unsigned
Frame
Unframed
Features
Original, one of a kind, unframed

Dimensions

Painting
14 1/2 x 19 inches
Framed
Unframed
Condition

Unlined canvas on its original keyed stretcher. Old restoration at the upper right, losses to the red drapery at the centre and along the upper and lower edges, with an overall craquelure and a yellowed varnish.

Free Shipping to the US and Canada

This painting ships free to the United States and Canada, professionally packed and fully tracked. Original paintings enter both countries duty-free.