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Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed

Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed

After Raphael Sanzio (1483-1520), unknown copyist
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Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed
Madonna and Child with St. John the Baptist, After Raphael Sanzio, 19th Century Oil on Canvas, Framed

Description

Madonna and Child with St. John the Baptist

This oil on canvas presents the Madonna with the Christ Child and the young St. John the Baptist, following a composition by Raphael Sanzio (1483-1520). The Virgin is depicted holding the Child on her lap while St. John approaches from the side. The figures are placed within a landscape that includes distant hills and a soft sky. The modeling of the faces is smooth and rounded, consistent with the Raphaelesque tradition. The canvas has been relined on a second canvas, indicating past conservation. The palette is restrained, with warm skin tones set against muted greens and blues in the background. The painting is presented in its period frame.

Copying Raphael: A European Tradition

Copying the works of Raphael was a central practice in European painting from the 16th century onward. In the early 19th century, students at the academies of Paris, Rome, and Florence were trained by reproducing the compositions of the Old Masters, and Raphael's Madonnas were among the most frequently copied subjects. These copies served as study exercises, as devotional images for private collections, and as records of compositions that were not always accessible to the public. A well-executed 19th century copy after Raphael is both a document of the academic tradition and a painting in its own right, reflecting the skill and training of its maker. The relined canvas on this work indicates that it has been valued and maintained over the course of its life.

Provenance

Private collection, Paris, France

Details

Artist
After Raphael Sanzio (1483-1520), unknown copyist
Period
19th Century
Year
Early 19th century (circa 1800-1820)
Origin
France
Style
Academic
Medium
Oil on canvas relined on canvas
Signature
Unsigned
Frame
Period frame
Features
Original, one of a kind, framed, handmade, canvas relined on canvas

Dimensions

Painting
18 x 12 3/4 inches
Framed
23 3/4 x 18 1/2 inches
Condition

Small areas of paint loss in lower right. Canvas relined.