Jules-Alexandre Grün, Portrait in a Sailor Collar, Signed Oil on Canvas, Early 20th Century, from the Studio Sale
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Description
▾The white collar is the only clean shape in the picture. Everything else is scrubbed, dragged and left unfinished, and the face itself is barely more resolved than the wall behind it.
Oil on canvas, unlined, 19 x 16 inches (48 x 41 cm), 23 x 20 inches (58 x 51 cm) framed. Signed Grün lower left. French, early twentieth century, in a modern gilt frame with a brass nameplate.
A young sitter half length against a brown ground, in a dark coat over a wide white sailor collar, a dark bow at the throat. The hair is a single mass of brown laid over pale green, and that same green surrounds the head like a halo where the brush has scrubbed the ground back. The features are drawn in with a fine dark line over the flesh, the eyes set wide and level, and a stroke of orange at the right shoulder is the only warm note in the canvas.
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Les Girouettes, Le Breuil-en-Auge The canvas came out of the sale of Grün's own studio in Normandy, conducted by a bailiff at Pont-l'Évêque, and it carries the circular studio stamp on the reverse. A studio sale disperses what never left the painter's hands. Pictures with that history are unvarnished by the trade, and they show what a painter did when nobody was waiting for it. |
The paint layer is stable with light surface wear and a fine drying craquelure in the thick dark passages, inherent to the paint. The canvas is unlined on its original keyed stretcher, and the studio sale stamp remains legible on the back.
Provenance ▾
Details
▾Artist
Jules-Alexandre Grün (1868-1938)Period
Early 20th CenturyOrigin
FranceStyle
ModernMedium
Oil on canvasSignature
Signed Grün lower leftFrame
Modern gilt wood frame with a black frieze between two gilt bands and a gilt fillet at the sight edge. Brass nameplate reading "J. GRUN 1868-1938".Features
Original, one of a kind, signedDimensions
▾Painting
19 x 16 inchesFramed
23 x 20 inchesCondition
Paint layer stable with light surface wear. Fine drying craquelure in the thick dark passages of the upper area, inherent to the paint and visible in the photographs. Canvas unlined and on its original keyed stretcher. Modern gilt frame in good order, brass nameplate intact.
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