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Article: Collecting Antique Dog Portraits

HomeHow to collect antique paintingsCollecting Antique Dog Portraits

Collecting Antique Dog Portraits

Our collecting guides

Of all the antique paintings a person can buy, none is bought with more feeling than the dog portrait. And the strange thing about the good ones is what has survived of them.

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Names painted on the canvas, or written on the back.
Recording the name was part of the commission.
A Pekingese seated on a cushion, a signed antique dog portrait in oil by Delahaye, 1890s A small dog in gouache, quickly and affectionately handled, by Fonseca before the first war
Kit Pipo
A Pekingese, painted by Ernest Jean Delahaye in the 1890s. A small dog in gouache, by Gaston Simões de Fonseca, before the first war.
Nobody knows who owned them. Everybody knows what they were called.

Dogs appear in European painting from the beginning, as symbols of fidelity in portraits and as workers in hunt scenes. The dog as the whole subject arrives in the eighteenth century with court painters like Desportes and Oudry, who painted the royal hounds by name. It becomes a genre in the nineteenth, when the bourgeois household took up the aristocracy's habit of commemorating its companions and the Victorians codified breeds with taxonomic passion. By 1900, painters across France, England and Belgium made steady livings painting other people's dogs in oil on canvas and on panel.

Three things to look at

What Makes a Good Antique Dog Portrait

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The eyes, above all Exactly as with a human portrait, the test is presence. Does the animal look back? A competent painter renders fur. A good one renders attention, and the particular way this dog held its head.
A dog, not a breed The best antique dog paintings show a specific animal, not a breed illustration. Look for asymmetries, an honest posture, sometimes a painted name or a collar. Signs that the painter worked from a real dog that was standing there.
The coat Rendering fur convincingly, dense, layered, catching the light, is genuinely difficult. Stand close and judge the brushwork as you would on any other oil painting.
A field organised by breed

Collecting Antique Dog Paintings by Breed

Dog paintings are one of the rare fields where the market organises itself by breed. People who own or love a spaniel, a terrier, a greyhound or a pointer hunt for its historical portraits, and the breed clubs form a durable base of demand. Sporting breeds dominate the surviving material because of the hunting tradition. Toy and companion breeds carry the charm of the parlour.

One wrinkle is worth knowing. Breeds changed. A Labrador or a Pekingese painted in the 1880s does not look like today's standard, and for anyone interested in breed history that difference is the point rather than a flaw. A period painting is a primary document of what the breed once was.

And not every good dog picture is a solo portrait. The dog-and-owner composition runs deep in the tradition and often tells the richer story, because the bond itself is the subject. A gentleman with his pointer is saying something about himself that a portrait alone could not.

Three practical notes

Buying an Antique Dog Painting

Signatures count here. The nineteenth-century animal painters were professionals with careers and exhibition records, and a signed, dated oil painting can be placed exactly.

Condition follows the usual rules. Relining and honest craquelure are normal in canvases of this age. What matters is that the head, which is the face of the portrait, reads well.

Small formats are the charm of the genre. Many antique dog portraits were painted on panel or on a small canvas for intimate rooms, which makes them among the easiest antique paintings to live with. A hallway, a study, a landing beside the leash hooks.

In public collections

Where to See Them

Jean-Baptiste Oudry, the royal hounds of Louis XV, painted by name. Château de Fontainebleau and Musée du Louvre, Paris.
Alexandre François Desportes, hunting dogs and game pieces. Musée du Louvre, Paris.
Edwin Landseer, portraits of Queen Victoria's dogs. Royal Collection, London.

The next questionWhere does the dog portrait sit in the wider animal field?Three traditions of the French nineteenth century, from the menagerie to the farmyard.

Sources. Musée du Louvre, Château de Fontainebleau, Royal Collection London.

Dog Portraits in Our Collection

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  • Signed and dated 1882 portrait of a puppy by Charles Chaplin, oil on bare mahogany panel in a carved gilt frame

    Charles Joshua Chaplin (1825-1891), Portrait of a Puppy, Signed and Dated 1882, Oil on Mahogany Panel, Framed

    Painting9 1/2 x 6 2/3 inches Framed13 x 10 1/4 inches ShopView ›

    Chaplin painted the puppy straight onto the mahogany and stopped. The warm red-brown of the wood becomes the entire background, its grain still running visibly behind the animal's head. No setting, no cushion, no drapery. It is composed exactly as he composed his sitters.

  • Two King Charles spaniels in a dark landscape, 18th century French oil on panel in an ebonized frame

    Portrait of Two King Charles Spaniels, Oil on Panel, French School, 18th Century, Ebonized Frame

    Painting9 x 10 1/4 inches Framed16 x 17 1/3 inches ShopView ›
  • Antique 19th century French portrait of two white spitz dogs, oil on canvas in gilt frame

    Portrait of Two White Spitz Dogs, Unsigned Oil on Canvas, 19th Century French School, Framed

    Painting13 1/2 x 19 1/2 inches Framed18 x 24 inches ShopView ›
  • Signed 19th century French portrait of a Pekingese dog named Kit, oil on panel in oak frame

    Ernest Jean Delahaye (1855-1921), Portrait of a Pekingese Dog "Kit", Signed Oil on Panel, Late 19th Century, Framed

    Painting13 x 10 inches Framed18 x 15 inches ShopView ›
Browse our animal paintings
Original works, shipped free to the US and Canada, packed and tracked| Over 1,100 paintings sold since 2017

Photographs and descriptions of the paintings in our collection by GalerieClub Fine Art.