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GalerieClub Fine Art

Origin

Flanders

Date

26.10.2026

Status

Available

Adoration of the Magi, Flemish School Oil on Canvas, 1600s, Gilt Frame Shown at scale above a marble fireplace in a green panelled room, in its gilt frame

Adoration of the Magi, Flemish School Oil on Canvas, 1600s, Gilt Frame

Flemish School, 17th century

Medium

Oil on canvas

Painting size

19 ¾ x 25 ½ in. (50 x 65 cm.)

Signature

Unsigned

Period

17th century

Framed size

24 x 30 in. (61 x 76 cm.)

Price

$7,900 USD

Frame. Plain gilt profile with a molded sight edge, gaps and wear at the corners

Condition. Structurally sound. The canvas has been relined and the stretcher is later, with all eight keys present. There are small areas of paint loss, shown in the photographs. The frame has gaps and wear at the corners.

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The Virgin and Child at the left, the eldest king kneeling in yellow, a crowd of twelve behind, Flemish, 17th century
Shown at scale above a marble fireplace in a green panelled room, in its gilt frame
The second king in red and ermine, the gold vessel held out toward the Child
Turbans, plumes and feathered caps in the same crowd, the costume of no single country
The Virgin seated with the Child, Joseph behind her in yellow and violet
The relined canvas on a later stretcher, all eight keys still in the corners
The great yellow cloak takes the whole lower centre of the canvas, the crown set down beside it
The Virgin and Child at the left, the eldest king kneeling in yellow, a crowd of twelve behind, Flemish, 17th century
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Description

▾

Flemish School, 17th century
Adoration of the Magi
Oil on canvas

Unsigned. 19 ¾ x 25 ½ inches (50 x 65 cm), the frame 24 x 30 inches (61 x 76 cm). Plain gilt frame. Relined, structurally sound, with small paint losses.

The Child reaches into the open box the kneeling king holds up to him. That king kneels with his back half turned to us, in a great yellow cloak that spreads across the lower center of the canvas. The Virgin sits at the left in red and blue, with Joseph behind her in yellow and violet.

Behind them the crowd presses in. A dark-skinned king in green carries a gold covered cup at the center, beside a king in red and ermine with a gold chain across his chest, and around them a dozen heads crowd together under turbans, plumes, soft red caps and a laurel wreath. The architecture is barely there. Two dark piers open onto a gray sky with a single small star, and the color is carried by three cloaks, yellow, red and green, against a ground that has gone almost black.

Note

By the seventeenth century the three kings had been given three ages and three continents, one young, one middle-aged, one old, one European, one Asian, one African. The subject let a painter show the entire known world kneeling in one room. It is why the crowd behind them wears turbans, plumes and fur in the same picture, and why the costume belongs to no single country.

Condition report

Age shows on close inspection.

Structurally sound. The canvas has been relined and the stretcher is later, with all eight keys present. There are small areas of paint loss, shown in the photographs. The frame has gaps and wear at the corners.

Flemish School, 17th century

Adoration of the Magi, Flemish School Oil on Canvas, 1600s, Gilt Frame

Flemish School, 17th century
Size 19 ¾ x 25 ½ in.Framed 24 x 30 in.
ConditionGood See report and photos ↓
FrameAntique frame · Giltwood
Medium Oil on canvas17th century
Price $7,900 USD
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The Virgin and Child at the left, the eldest king kneeling in yellow, a crowd of twelve behind, Flemish, 17th century
Listed price$7,900
$7,900 The listed price
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Details

▾

Oil on canvas · 17th century · Antique frame

The reverse

Relined canvas on a later stretcher, all eight keys in place

Artist
Flemish School, 17th century
Origin
Flanders
Style
Flemish Baroque
Size
19 ¾ x 25 ½ in. (50 x 65 cm.)
Signature
Unsigned
Frame
Antique frameGiltwoodPlain gilt profile with a molded sight edge, gaps and wear at the cornersFramed 24 x 30 in. (61 x 76 cm.)

What the grades mean

All grades are relative to the age of the painting. They describe the painting itself, the frame is described separately. Fine age craquelure is normal and never lowers a grade.

Where signs of age can be seenUp closeAt normal viewing distance
Very goodminorNo
GoodThis paintingYesNo
FairYesYes
Needs conservationYesdamage

GoodThis painting

Stable. Signs of age or earlier restoration are visible on close inspection, such as small retouches or a slightly yellowed varnish. The overall appearance is intact.

Other grades

Very good

Stable. Only minor, old retouches or very small losses, not distracting at normal viewing distance. The canvas may have been relined or cleaned in the past.

Fair

Stable and ready to hang, but wear or earlier restoration is noticeable at normal viewing distance, such as visible retouching, a discoloured varnish or scattered small losses.

Needs conservation

Visible damage a conservator should treat, such as flaking, a tear, larger losses or heavy old repaint. Every issue is shown in the photographs.

Description

Adoration of the Magi, 1600s

GalerieClub Fine Art

Lyon, France, since 2017

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  • Shipped from FrancePacked by hand, tracked to your door.