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The young Saint John the Baptist seated with the lamb and the reed cross, French School oil on canvas

Saint John the Baptist as a Child with the Lamb, Oil on Canvas, 18th Century French School, Unframed

French School, 18th century
Price $3,600 USD
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The young Saint John the Baptist seated with the lamb and the reed cross, French School oil on canvas
The Saint John the Baptist canvas hung above a Louis XV commode in a panelled Paris room
Macro of the child and the lamb, the red drapery worked in bright vermilion arabesques over a darker ground
Macro of the red drapery, the folds drawn in vermilion strokes over a brown-red ground rather than modelled
Reverse of the relined canvas on its keyed stretcher with the paper label of a Paris framer (Saint John the Baptist, French School)
Macro of the reed cross with its lettered scroll and the halo, the sheep pressed against the child's shoulder
Macro of the lettered scroll reading Ecce and the shallow baptismal bowl held in the child's hand
Macro of the dark rock mass at the left, showing an old repaint over the original ground
Macro of the lower left, the old repaint meeting the original ground along a visible edge
Macro of the child's feet and the painted ground, the canvas weave showing through the thin flesh tones
Macro of a fold of the drapery, the vermilion line drawn over the brown ground without any modelling between them
Angled view of the unframed canvas on its stretcher, the paint running to the tacking edge
Oblique view of the unframed canvas showing the surface in raking light
Side view of the unframed canvas on its stretcher
Paper label of Trouillon, framer of the rue Neuve Saint-Eustache in Paris, on the stretcher bar
Macro of the upper corner of the lining canvas, with a loose flap of the original canvas edge visible

Description

The red drapery is the only saturated colour in the picture, and the painter has worked bright vermilion arabesques across it. Everything else is held to browns, dull greens and the pale sky, and the sheep comes to the child across that single note.

Oil on canvas, relined, 15 x 12 inches (38 x 30 cm), unframed. Unsigned. French School, second quarter of the eighteenth century.

A young child sits on a low rock, one leg drawn up and the other extended, a sheep pressed against his shoulder with its head turned toward his face. He holds a slender reed cross with a lettered scroll wound around it in his raised hand, and a shallow bowl in the other. A flat orange halo is drawn behind his head. The reed cross, the bowl and the sheep identify him as the young Saint John the Baptist. Behind him a dark mass rises on the left, while the right opens onto a stretch of pale water at the horizon under rolled clouds.

The drapery is not modelled but drawn. A flat brown red is laid first, and the folds are traced over it in single strokes of bright vermilion, with nothing in between, while the animal beside it is modelled in the ordinary way, in soft greys and whites. The flesh is thinly painted throughout and the canvas weave counts through it, though the feet and hands are drawn with a care the drapery never receives.

A street that no longer exists
The label on the back gives a framer at 29 rue Neuve Saint-Eustache in Paris. That street was renamed rue d'Aboukir in 1868, so the label was printed before then, and the lining and the stretcher date from that visit. The canvas was already more than a century old when someone carried it to a shop off the rue Montmartre to have it saved.

The canvas is relined on a later keyed stretcher. The dark area along the left quarter is an old repaint, thickly applied and clearly distinct from the original paint beside it, and elsewhere the surface shows the abrasion and fine craquelure normal to an eighteenth century canvas.

Provenance

Private European collection (France)

Details

Artist
French School, 18th century
Period
Circa 1720-1750
Origin
France
Style
Baroque
Medium
Oil on canvas
Signature
Unsigned
Frame
Unframed
Features
Original, one of a kind, unframed

Dimensions

Painting
15 x 12 inches
Framed
Unframed
Condition

Good condition for its age. Relined and stable on a later keyed stretcher, the paint layer sound throughout. The dark area along the left quarter of the canvas is an old repaint, thickly applied and clearly distinct from the original paint beside it, stable and not disturbing the surface. Elsewhere the abrasion and fine craquelure normal to an eighteenth century canvas.

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