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Gallery

GalerieClub Fine Art

Origin

France

Date

26.10.2026

Status

Available

The Assumption of the Virgin after Poussin, French Oil on Canvas, 1881 The framed painting hanging above a white marble fireplace in a dining room with a mahogany table and painted chairs

The Assumption of the Virgin after Poussin, French Oil on Canvas, 1881

French School, 19th century

Medium

Oil on canvas

Painting size

24 ½ x 17 in. (62 x 43 cm.)

Signature

Unsigned, dated 1881 in red lower left

Period

1881

Framed size

28 ¾ x 20 ¾ in. (73 x 53 cm.)

Price

$3,500 USD

Frame. Moulded gilt frame with a plain cove and a fine bead at the sight edge, the gilding rubbed at the corners

Condition. Unlined canvas on its original keyed stretcher, stable. Losses to the paint layer at the left edge, at the lower left below the date, and beside the Virgin's veil, with fine age craquelure normal to the period.

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The Virgin rising with arms open, carried by five draped angels above a dark plain and a walled town, in a moulded gilt frame (after Poussin, 1881)
The framed painting hanging above a white marble fireplace in a dining room with a mahogany table and painted chairs
Reverse of the unlined canvas on its original keyed stretcher with a central crossbar, the craquelure reading through the linen
Close view of the Virgin carried by four angels, the draperies modelled in yellow, rose, blue-green and grey
Close view of the lower angel in rose and red drapery above a walled town at dusk, seen against distant hills and water
Close view of the Virgin's face built in warm glazes, with a line of small paint losses in the grey veil to the right
Close view of the paint losses at the upper right beside the veil, with the age craquelure and the mark of the stretcher bar in the ground
Close view of a small paint loss at the left edge against the rebate, with lifted edges and the ground showing through
The Virgin rising with arms open, carried by five draped angels above a dark plain and a walled town, in a moulded gilt frame (after Poussin, 1881)
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Description

▾

French School, 1881, after Nicolas Poussin
The Assumption of the Virgin
Oil on canvas

Unsigned, dated 1881 in red lower left. 24 ½ x 17 inches (62 x 43 cm), the frame 28 ¾ x 20 ¾ inches (73 x 53 cm). Moulded gilt frame. Unlined, on its keyed stretcher, with small losses.

The Virgin rises with her arms thrown open, carried by young angels whose draperies turn around her in a single upward movement. Below them the cloud breaks on a dark plain, and a walled town catches the last light on the horizon.

The angels are painted as adolescents, fully draped in pale yellow, rose and deep green, and the whole upper half is carried on those colors alone. The ground below is kept low and dark, so the eye goes straight up. The handling is careful and even, laid in thin smooth layers, with the flesh built in warm glazes and the date set down in red where the plain meets the frame.

Condition report

Age shows on close inspection.

Unlined canvas on its original keyed stretcher, stable. Losses to the paint layer at the left edge, at the lower left below the date, and beside the Virgin's veil, with fine age craquelure normal to the period.

French School, 19th century

The Assumption of the Virgin after Poussin, French Oil on Canvas, 1881

French School, 19th century
Size 24 ½ x 17 in.Framed 28 ¾ x 20 ¾ in.
ConditionGood See report and photos ↓
FramePeriod frame · Giltwood
Medium Oil on canvas1881
Price $3,500 USD
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The Virgin rising with arms open, carried by five draped angels above a dark plain and a walled town, in a moulded gilt frame (after Poussin, 1881)
Listed price$3,500
$3,500 The listed price
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  • Over 1,100 paintings sold since 2017

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Buying from France

For buyers in the United States.

Free to the United States

Every painting ships free with UPS Express Saver, fully tracked from our gallery in France to your door. Dispatched within two business days of payment.

Packed by hand

Every painting is wrapped in kraft bubble wrap, then boxed in double-wall cardboard with foam around the frame. An unframed painting travels flat between two boards.

Arrived damaged?

Tell us within 48 hours of delivery and keep all the packing. We arrange the return at our cost, and refund you in full once the painting is back with us.

Nothing to pay on delivery

No customs duty on original paintings. Customs fees and the carrier's clearance charge are paid by us.

For paintings over $2,500, UPS may ask for your tax ID (SSN or EIN) to clear customs. It is routine, and there is nothing to pay.

Every shipment is declared at the price paid. We never under-declare.

To return, from delivery14 days
Restocking feeNone
Return postage to FranceAt your expense
RefundIn full, once back with us

Send the painting back in its original packing, in the condition it reached you. We guide you through each step.

Details

▾

Oil on canvas · 1881 · Period frame

The reverse

Unlined canvas on its original keyed stretcher with a central crossbar

Artist
French School, 19th century
Origin
France
Style
Academic
Size
24 ½ x 17 in. (62 x 43 cm.)
Signature
Unsigned, dated 1881 in red lower left
Frame
Period frameGiltwoodMoulded gilt frame with a plain cove and a fine bead at the sight edge, the gilding rubbed at the cornersFramed 28 ¾ x 20 ¾ in. (73 x 53 cm.)

What the grades mean

All grades are relative to the age of the painting. They describe the painting itself, the frame is described separately. Fine age craquelure is normal and never lowers a grade.

Where signs of age can be seenUp closeAt normal viewing distance
Very goodminorNo
GoodThis paintingYesNo
FairYesYes
Needs conservationYesdamage

GoodThis painting

Stable. Signs of age or earlier restoration are visible on close inspection, such as small retouches or a slightly yellowed varnish. The overall appearance is intact.

Other grades

Very good

Stable. Only minor, old retouches or very small losses, not distracting at normal viewing distance. The canvas may have been relined or cleaned in the past.

Fair

Stable and ready to hang, but wear or earlier restoration is noticeable at normal viewing distance, such as visible retouching, a discoloured varnish or scattered small losses.

Needs conservation

Visible damage a conservator should treat, such as flaking, a tear, larger losses or heavy old repaint. Every issue is shown in the photographs.

Description

Assumption of the Virgin, 1881