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Seventeenth century French oil of Saint John the Baptist as a child holding the lamb and the reed cross, in a carved oval giltwood frame

Saint John the Baptist Embracing the Lamb, French School, 17th Century Oil on Canvas, Oval Carved Gilt Frame

French School, 17th century
Price $6,300 USD
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Seventeenth century French oil of Saint John the Baptist as a child holding the lamb and the reed cross, in a carved oval giltwood frame
The oval framed painting hung on a deep green panelled wall above a mahogany bureau with a globe and a glass inkwell (17th century Saint John the Baptist)
The oval canvas seen within the frame, the child kneeling with the lamb, the reed cross and banderole at the right against an open blue distance
Reverse showing the relined canvas on a new keyed oval stretcher seated in the old frame, the frame back worn with an old repair at the top (17th century Saint John the Baptist)
Macro of the frame carving, ribboned laurel at the sight edge and a garland with rosettes above, the gilding worn to the red bole with open losses to the gesso
Macro of the reed cross and its white banderole against the blue distance, the paint raised there and flat everywhere else in the landscape
Close view of the child's face and the lamb, the lamb turned out to meet the viewer, with the red ribbon knot at the shoulder
Raking light on the left side of the carved frame, showing the ribboned laurel at the sight edge, the outer band of rosettes and berries, and a clean loss with a short split in the sight moulding

Description

The lamb is painted with more care than the child. Its fleece is built in short white strokes over grey, its eye is drawn, and it looks out of the picture while the boy looks past you.

Oil on canvas, relined, 16 x 13 inches (41 x 33 cm), 21 x 18 inches (53 x 46 cm) framed. Unsigned. French School, circa 1670 to 1690, in a carved oval giltwood frame.

A young child kneels with one arm around a lamb, a red drape falling from the shoulder across the hip, a reed cross with its white banderole held upright in the right hand. Behind him the ground is black, and at the right the picture opens onto a blue distance with a mountain and a low horizon. The attributes are those of Saint John the Baptist, the lamb, the reed cross and the banderole. The flesh is pearly and thinly built, the drape laid in broad planes of a single red, and the black ground is opened at one side only, which is the standard construction of a devotional oval of these decades.

The oval came first
A canvas is cut to fit a frame, not the other way round, when the frame is the expensive part. This one is carved in two registers with a ribboned laurel and an outer garland of rosettes and fruit, work that cost more than the painting inside it. The oval format was not the painter's choice. It was the shape of the place on the wall where the picture was going to hang.

The canvas has been relined and sits on a new oval stretcher. The paint layer is stable with small losses at the top centre, and the frame carries losses to the gesso along the inner edge and to the ornament.

Provenance

Private collection, Paris, France

Details

Artist
French School, 17th century
Period
Circa 1670 to 1690
Origin
France
Style
French Baroque
Medium
Oil on canvas
Signature
Unsigned
Frame
Carved oval frame with two registers of ornament, a ribboned laurel moulding at the sight edge and an outer band of laurel with four petal rosettes, berry clusters and open flowers. Gilt over red bole, worn to the bole on the raised ornament and to the white ground in the lower sections, with losses to the gesso along the inner edge and a clean loss with a short split in the sight moulding on the left side.
Features
Original, one of a kind

Dimensions

Painting
16 x 13 inches
Framed
21 1/4 x 18 inches
Condition

Good condition for its age. Relined and stable on a new oval stretcher, the paint layer sound with small losses at the top centre.

Free Shipping to the US and Canada

This painting ships free to the United States and Canada, professionally packed and fully tracked. Original paintings enter both countries duty-free.