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GalerieClub Fine Art

Artist

Listed

Origin

Belgium

Date

26.10.2026

Status

Available

Young Woman with Pearls, Max Moreau, Signed Oval Oil on Canvas, 1925 The unframed oval canvas hung above a marble topped mahogany chest in a bedroom corner, morning light through lace curtains (Max Moreau 1925 portrait)

Young Woman with Pearls, Max Moreau, Signed Oval Oil on Canvas, 1925

Max Moreau (1902-1992)

Listed artist

Belgian painter born in Soignies, taught by his father Henri Moreau and by copying the old masters in the Brussels museum. A first journey to Tunisia in 1929 shaped his work. After the war he became an international portraitist, and he ended his life in Granada, where a house museum keeps his bequest.

Medium

Oil on canvas

Painting size

26 x 20 in. (66 x 51 cm.), oval

Signature

Signed and dated lower right Max Moreau 1925, in red

Period

1925

Price

$4,700 USD

Condition. Good original condition. Original unlined canvas on its purpose made oval stretcher, built from jointed segments with a cross brace, sound throughout. An open but stable craquelure follows the thickly painted passages of the gown, the thin ground being free of it.

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Signed oval portrait of a young woman in a rose gown with a short strand of pearls, dated 1925, unframed oil on canvas by Max Moreau
The unframed oval canvas hung above a marble topped mahogany chest in a bedroom corner, morning light through lace curtains (Max Moreau 1925 portrait)
Macro of the face showing the green eyes cut in against dry blended skin and the pearls painted one by one, each with its own point of light
Reverse showing the unlined canvas on its purpose made oval stretcher, chamfered from the solid with a cross brace, carrying no labels or stamps (Max Moreau 1925 portrait)
Macro of the bodice showing the pleated tulle neckline built in short dry strokes of rose and white with green and blue worked through it
Macro of the right shoulder showing the rose scarf laid in thick oblique strokes with red and grey blue accents, a chair back suggested behind in two broad passages
Macro of the signature, Max Moreau written in red with the date 1925 beneath and a single underscore, on the rose ground of the gown
Close macro of the red signature Max Moreau dated 1925, brushed over dry paint, with the open craquelure of the gown around it
Macro of the neckline showing each pearl modelled in raised paint and the pleated trim drawn in twenty short strokes through wet cream, the canvas weave counting through the bodice
Macro of the eyes, green with a dark rim to the iris and the same point of white set in each, the whites laid in grey rose rather than white
Macro of the left shoulder where the loaded strokes of the gown meet the thin ground, the bare weave showing through the background and the craquelure following only the thick paint
Raking view of the top edge showing the canvas tacked directly to the oval stretcher on its unpainted turnover, the painted surface stopping cleanly short of the fold
Close view of the oval stretcher built from angled wooden segments jointed edge to edge, with a halved cross brace and plane marks across the timber
Macro of the stretcher bar stamped with the French trade format 15 P, matching the sixty five by fifty centimetre size of the oval canvas
Three quarter view of the oval stretcher showing the segments stepped along their inner edge to follow the curve, with the halved cross brace set back in the depth
Signed oval portrait of a young woman in a rose gown with a short strand of pearls, dated 1925, unframed oil on canvas by Max Moreau
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Description

▾

Max Moreau (Belgian, 1902-1992)
Portrait of a Young Woman with Pearls
Oil on canvas, oval

Signed and dated lower right Max Moreau 1925, in red. 26 x 20 inches (66 x 51 cm). Unframed. Good original condition, unlined, a stable craquelure in the thick paint of the gown.

She is smiling. The mouth turns up at one corner and the eyes go with it.

She is turned three quarters to the right against a warm grey ground, her hair waved and cut short at the jaw, a single strand of small pearls at the throat, each pearl with its own point of light. The pink gown with its pale grey front is laid in broad wet strokes with the brush marks left standing, while the face is worked smooth and close. Behind her right shoulder a chair back is suggested in two broad passages, and nothing else.

Note

French color merchants sold stretchers and canvases in fixed numbered sizes, and each number came in three shapes, F for figure, P for paysage, the landscape, and M for marine, each a little narrower than the last. A portrait would normally be painted on an F. The oval stretcher behind this young woman is stamped 15 P, the landscape shape, 65 by 50 centimeters, and her portrait fills it to the edge.

Condition report

Age shows on close inspection.

Good original condition. Original unlined canvas on its purpose made oval stretcher, built from jointed segments with a cross brace, sound throughout. An open but stable craquelure follows the thickly painted passages of the gown, the thin ground being free of it.

Max Moreau (1902-1992)

Young Woman with Pearls, Max Moreau, Signed Oval Oil on Canvas, 1925

Max Moreau (1902-1992)
Size 26 x 20 in.
ConditionGood See report and photos ↓
FrameUnframed
Medium Oil on canvas1925
Price $4,700 USD
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Signed oval portrait of a young woman in a rose gown with a short strand of pearls, dated 1925, unframed oil on canvas by Max Moreau
Listed price$4,700
$4,700 The listed price
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Details

▾

Oil on canvas · 1925 · Signed · Unframed

The reverse

Unlined canvas on its purpose-made oval stretcher stamped with the French format 15 P

Artist
Max Moreau (1902-1992)
Origin
Belgium
Style
Belgian Realism
Size
26 x 20 in. (66 x 51 cm.), oval
Signature
Signed and dated lower right Max Moreau 1925, in red
Frame
Unframed

What the grades mean

All grades are relative to the age of the painting. They describe the painting itself, the frame is described separately. Fine age craquelure is normal and never lowers a grade.

Where signs of age can be seenUp closeAt normal viewing distance
Very goodminorNo
GoodThis paintingYesNo
FairYesYes
Needs conservationYesdamage

GoodThis painting

Stable. Signs of age or earlier restoration are visible on close inspection, such as small retouches or a slightly yellowed varnish. The overall appearance is intact.

Other grades

Very good

Stable. Only minor, old retouches or very small losses, not distracting at normal viewing distance. The canvas may have been relined or cleaned in the past.

Fair

Stable and ready to hang, but wear or earlier restoration is noticeable at normal viewing distance, such as visible retouching, a discoloured varnish or scattered small losses.

Needs conservation

Visible damage a conservator should treat, such as flaking, a tear, larger losses or heavy old repaint. Every issue is shown in the photographs.

Description

Young Woman with Pearls

GalerieClub Fine Art

Lyon, France, since 2017

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