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Signed orientalist oil painting of a palm oasis and rocky gorge at sunset, late 19th century, in a gilded wood frame

John Lewis Shonborn, Signed Orientalist Oasis at Sunset, 19th Century Oil on Canvas in Gilded Frame

John Lewis Shonborn (active late 19th century)
Price $3,900 USD
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Signed orientalist oil painting of a palm oasis and rocky gorge at sunset, late 19th century, in a gilded wood frame
Small signed orientalist oil painting of a palm oasis at sunset, hung in a gilded frame above a walnut console in a sitting room (Shonborn oasis)
The painting in its gilt frame with the wide cream linen slip
The frame seen obliquely, the gilding rubbed on the high points of the rope moulding
Reverse of the unlined canvas on its original stretcher, the weave open and even (Shonborn oasis)
The left rock wall with its stand of palms, lit red above and violet in shadow
The pale mountain range closing the gorge at the centre of the composition
The sky, thin paint worked wet into wet from gold at the horizon to grey above
The right rock wall, the palms grouped along its foot against the lit stone
Signature Shonborn in dark paint at the lower left of the canvas
Lower corner of the frame showing the beaded inner course above the linen slip
The rope-twist outer moulding of the frame taken in raking light
Pencil inscription repeating the painter's name on the lower stretcher rail

Description

The whole canvas is lit from one point on the horizon. The rock walls take the light on their upper faces and go violet in shadow, the water runs pale gold between the boulders, and the palms stand almost black against the sky.

Oil on canvas, 11 x 16 inches (28 x 41 cm), framed 16 x 21 inches (41 x 53 cm). Signed Shonborn lower left and inscribed again in pencil on the reverse. Late nineteenth century, in a gilded wood frame with a linen slip.

The composition is built on a receding gorge. Two rock walls close the sides, a stony riverbed leads the eye back, and a pale range closes the distance at the centre. The palms are grouped in two stands, one on each bank, and the low sun catches only their crowns. The paint is thin and worked wet into wet in the sky, heavier and drier on the rocks, where the brush has been dragged and leaves the weave showing through.

The frame is a nineteenth-century gilt moulding with a rope-twist outer edge and a beaded inner course, over a wide cream linen slip. The gilding is rubbed on the high points of the rope and along the outer edge, showing the warm ground beneath.

The canvas has never been relined. It sits on its original stretcher, the weave open and even across the back, and the painter has signed it a second time in pencil on the lower rail.

Provenance

Private European collection

Details

Artist
John Lewis Shonborn (active late 19th century)
Period
Late 19th century
Origin
United States
Style
Orientalism
Medium
Oil on canvas
Signature
Signed Shonborn
Frame
Nineteenth-century gilt moulding with a rope-twist outer edge and a beaded inner course, over a wide cream linen slip. Gilding rubbed on the high points.
Features
Original, one of a kind, signed, framed

Dimensions

Painting
11 x 16 inches
Framed
16 x 21 inches
Condition

Good original condition. The canvas has never been relined and sits on its original stretcher. Surface stable, with light surface dirt and a yellowed varnish. Frame with old gilding wear to the high points of the rope moulding.

Free Shipping to the US and Canada

This painting ships free to the United States and Canada, professionally packed and fully tracked. Original paintings enter both countries duty-free.